How the confluence of three revolutions at the beginning of the 20th century, philosophical, scientific and artistic, gives rise to the two senses of history: succession (Geschichte) and narration (Historie)

Abstract

A new work in the breakdown of his work after the recent publication of For the love of Art: essay on a phenomenological gnoseology (2024). Ortiz de Urbina connects the revolutions he has already worked on in philosophy (Phenomenology, with intentionality) and science (Quantum Physics, with quantification) with the third, in art (as improper knowledge), hand in hand with Surrealism (and the surreality it announces).

Revolutions that the author ties together with the rethinking of the two main meanings of history as succession and narration during the 20th century.