Abstract
Joëlle Mesnil's work is part of what is undoubtedly one of the most vigorous philosophical currents of the 20th century and so far in the 21st century: phenomenology. However, this text is also inserted in the tradition of psychoanalysis, phenomenological and existential psychiatry, and the study of psychopathology in general. It also touches on topics such as art, politics, semiotics, but also anthropology; fields, all of them, that the author crosses here from a certain interpretation of phenomenology, the one inspired by Marc Richir.
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