Christian Boltanski's Failed Meta-Archive
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Keywords

Christian Boltanski
arte contemporáneo
instalación
posmemoria
Holocausto
memoria histórica Christian Boltanski
Contemporary art
Instalation
Postmemory
Holocaust
Historical memory Christian Boltanski Christian Boltanski

How to Cite

López Paniagua, L. (2020). Christian Boltanski’s Failed Meta-Archive. Eikasía Revista De Filosofía, (92), 297–313. https://doi.org/10.57027/eikasia.92.446

Abstract

The installation The Archive of the Grandparents, 1995, is the result of a collaborative, site-specific project developed by artist Christian Boltanski and the students of Leuphana Universität of Lüneburg (Germany). The archive contains the mementos of the grandparents of students of that generation. It is a significant piece within the context of the artist’s oeuvre because it does not comply with the habitual characteristics of his archive works, which I term «meta-archives» due to their postmodern stance, which materialises in the destabilisation the concept of archive, and in consequence, of those of document and of history as well. The project brought to the fore the ubiquitous and tacit silence around the period of the Third Reich within German families, and propitiated the resurfacing of this past. It also foregrounded the Nazi past of the Leuphana campus. For these reasons, and despite the fact that it could be considered a «failed meta-archive», it is still pertinent and relevant at a socio-cultural level and also, within Boltanski’s oeuvre, as it brings to light his habitual goals and strategies precisely because in this case, they are not followed.

https://doi.org/10.57027/eikasia.92.446
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