Abstract
This article presents some theoretical basis of
my current PhD thesis ("write in progress")
titled “The disaster of the subject”. Literature
and truth procedures in the aesthetic regime of
art. Besides, in here it is prefiguring its third
part, called “Our case. Beckett and the ‘un
writing’ of the generic (la inescritura de lo
genérico)”, which is simultaneously composed
of what I denominate an A-critique and an A
Thematic between which one of their several
general subtitles is at this occasion, the main
one: “Beckett and the phenomenology”.
References
Marc Le Bot; “L’art n’a ni sens ni valeur”, In: ETC, n° 7, 1989, p. 22-23.

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