Abstract
Piana's work is characterized by broad interest in music. For the Italian philosopher, the perceptual experience of sound material represents a mystery that must be investigated in all its different aspects. The sounds, the materials of music, con-vey expressiveness thanks to their own phenomenological materiality and we could hardly open the subject of musical expressiveness, if the raw material could be understood as so-mething expressively neutral. This statement points to a number of problems to be solved in relation to the elementary distinctions that apply on this plane, and on the plane of the termi-nology that corresponds to them. The aim of this article is to introduce Piana's analysis of sound and the listening experience.![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
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