Abstract
In this paper we try to grasp, in mereological terms, the structure of a subjectivity structured in terms of a multiplicity of architectonical registers, which also corresponds to architectonics as understood in a strong sens, as part of the transcendental theory of elements (and not only a mere part of the transcendental theory of method). We, indeed, carry up until its very last consequences the de-humanization and meontical reduction conducted by Eugen Fink in his VI.th Cartesian Meditation and enhanced by the hyperbolic epochè (with its hypothetical invocation of an Evil Genius) introduced by Marc Richir. We, thereupon, will be able to show how and to what extent a new field of concreteness, a multiplicity of architectonical registers, displays itself as the consequent part of a phenomenologizing kinesthesia. This new phenomenological domain yields various forms of concretion beyond what is merely present, and amounts to a virtual extension of the kantian transcendental dialectic to any element of the transcendental field.

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