Abstract
Though Leonardo's writings are rather eclectic and dark, we can feel a series of thesis with regard to his scientific methodology and the employment pragmatic and technologically orientated of his experimental discoveries. In the first paragraph, who writes it tries to introduce the vision of Leonardo's science from the practical experience as a continuous process of observation, from which (secondly) we can approach more narrowly the implications of his scientific methodology. Third, we will go on to the mathematical and abstract consideration of the nature that supposes the analytical and observacional method of Leonardo, without whom we will be able to understand his ontology (fourth paragraph), his mecanicism (neither fifth paragraph) nor his conception of the movement (sixth paragraph). Briefly, the vision of Leonardo's world depends for point of his realistic conception of the scientific methodology and of his technological employment.References
CASSIRER, E. (1970); El problema del conocimiento, volumen 1. México D. F.: Fondo de Cultura Económica.
MUNTZ, Eugene (1956); Leonardo da Vinci: el artista, el pensador, el sabio. Libro tercero “Leonardo en Milán”. Buenos Aires: El Ateneo.
VINCI, Leonardo DA (1999); Cuadernos de notas. Traducción castellana de José Luis Velaz. Madrid: Edimat.
VINCI, Leonardo DA (2004); Tratado de la pintura. Madrid: Akal.

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